Scott Moore
Scott Moore
  • Видео 35
  • Просмотров 236 823
Scott Moore and "friends" perform The North Star Suite by Erik Morales
The North Star Suite, by Erik Morales, is a re-imagining of J.S. Bach's Christmas Oratorio, BWV 248. This is the final section, based on "Nun seid ihr wohl gerochen."
Просмотров: 654

Видео

Clary Woodmute demo on Li'l Darlin'
Просмотров 6582 года назад
Scott Moore plays Li'l Darlin' on Clary Woodmutes bucket mute and straight mute.
Sleigh Ride trumpet horse whinny
Просмотров 4,3 тыс.2 года назад
Scott Moore plays the horse whinny from Leroy Anderson's Sleigh Ride with the Memphis Symphony, December 11, 2021
The "sweet spot" and immediacy of response on trumpet
Просмотров 7 тыс.2 года назад
I discuss the "sweet spot" vs the "center," and "immediacy of response" vs "attack" on trumpet. There may be a Mambo solo in there as well.
Efficient embouchure and setup for trumpet
Просмотров 44 тыс.2 года назад
I discuss how I set the trumpet on my face for maximum efficiency, effortless range, and better endurance.
Scott Moore plays "Choro" from "Fantasia Pernambucana."
Просмотров 1,3 тыс.3 года назад
"Choro," from "Fantasia Pernambucana," by Jose U. da Silva (Duda) Performed by Scott Moore Principal Trumpet, Memphis Symphony
Quiet City, by Aaron Copland. Adapted for trumpet, horn, and organ
Просмотров 6193 года назад
Scott Moore, trumpet Caroline Kinsey, horn Patrick Scott, organ Grace-St Luke's Episcopal Church Memphis, TN May 30, 2021
Scott Moore plays "Stardust."
Просмотров 1,6 тыс.3 года назад
Stardust, by Hoagy Carmichael Scott Moore, trumpet
"Simple Song," from Mass by Leonard Bernstein
Просмотров 6693 года назад
Scott Moore, trumpet Patrick Scott, organ Grace-St Luke's Episcopal Church Memphis, TN April 11, 2021
Rachmaninoff Vocalise, trumpet & organ
Просмотров 3773 года назад
Scott Moore, trumpet Patrick Scott, organ Grace-St Luke's Episcopal Church Memphis, TN April 11, 2021
Albinoni Adagio in G minor, trumpet and organ
Просмотров 4,1 тыс.3 года назад
Adagio in G minor, by Tomaso Albinoni Scott Moore, trumpet Patrick Scott, organ Grace-St Luke's Episcopal Church, Memphis, TN July 5, 2020 AV recording and editing by Mark Woodring
With Malice Toward None, trumpet and organ
Просмотров 3363 года назад
"With Malice Toward None" from the motion picture "Lincoln," by John Williams Scott Moore, trumpet Patrick Scott, organ Grace-St Luke's Episcopal Church, Memphis, TN July 5, 2020 AV recording and editing by Mark Woodring
RIP Icezilla February 2021
Просмотров 4283 года назад
Our recent snowstorms and freezing temperatures created a beautiful, seven-foot icicle outside my practice room window. Here is my tribute to its short life.
Scott Moore: Horse Whinny Tutorial
Просмотров 9 тыс.3 года назад
Scott Moore: Horse Whinny Tutorial
Scott Moore plays Sleigh Ride
Просмотров 1,6 тыс.3 года назад
Scott Moore plays Sleigh Ride
Halsey Stevens Trumpet Sonata, I. Allegro moderato
Просмотров 1,1 тыс.7 лет назад
Halsey Stevens Trumpet Sonata, I. Allegro moderato
Halsey Stevens Trumpet Sonata, II. Adagio tenero
Просмотров 1057 лет назад
Halsey Stevens Trumpet Sonata, II. Adagio tenero
Halsey Stevens Trumpet Sonata, III. Allegro
Просмотров 1557 лет назад
Halsey Stevens Trumpet Sonata, III. Allegro
Quiet City, by Aaron Copland
Просмотров 5927 лет назад
Quiet City, by Aaron Copland
Stardust, by Hoagy Carmichael
Просмотров 14 тыс.7 лет назад
Stardust, by Hoagy Carmichael
Centennial Horizon, by Kevin McKee
Просмотров 3967 лет назад
Centennial Horizon, by Kevin McKee
With Malice Toward None, by John Williams
Просмотров 1,1 тыс.7 лет назад
With Malice Toward None, by John Williams
Eric Ewazen Sonata for Trumpet (and organ!)
Просмотров 7228 лет назад
Eric Ewazen Sonata for Trumpet (and organ!)
Telemann Concerto for Trumpet in D major
Просмотров 1,2 тыс.8 лет назад
Telemann Concerto for Trumpet in D major
Plog, 4 Themes on Paintings of Edward Munch
Просмотров 6448 лет назад
Plog, 4 Themes on Paintings of Edward Munch
The Very Thought Of You
Просмотров 6248 лет назад
The Very Thought Of You
Reflections, by James M. Stephenson
Просмотров 1,3 тыс.8 лет назад
Reflections, by James M. Stephenson
Penny Lane trumpet solo
Просмотров 9 тыс.12 лет назад
Penny Lane trumpet solo
Sleigh Ride horse whinny
Просмотров 67 тыс.12 лет назад
Sleigh Ride horse whinny
Ewazen Trumpet Sonata, 1st mvmt
Просмотров 13 тыс.14 лет назад
Ewazen Trumpet Sonata, 1st mvmt

Комментарии

  • @mikeweible916
    @mikeweible916 4 дня назад

    Thank you for a very informative video. I mean this in the best possible way: if you are going to make instructional videos, please be aware of your tendency to add “you know” literally over 100 times in this little video. It tends to be very distracting.

  • @missgeogeo
    @missgeogeo 4 дня назад

    J adoore cette musique duo formidable que du bonheur on l a joue aussi a l orgue et mon mari trompette un grand bravo a vous deux ❤❤🙏🙏🙏

  • @nicholaschavarria4261
    @nicholaschavarria4261 18 дней назад

    Thanks, Scott, well said. I like what you said about building the foundation, and about addressing the low notes later. Your video was helpful for me because I'm working on fine-tuning my set up, with the goal of improved and consistent clean attacks. Another important take-away for me was doing what's right for me. Everyone has a unique face, and we have to figure out how to make it work for the instrument.

  • @travelevel
    @travelevel Месяц назад

    Thank you for your helpfull informations.

  • @PhilSnedecor
    @PhilSnedecor Месяц назад

    This guy doesn’t suck. He plays a mean trumpet, has some cool Elvis shit on his wall and cooks a smokin’ southern breakfast. He’s the real deal…

  • @bonniejean2168
    @bonniejean2168 Месяц назад

    I am 74 and still play my trumpet. I have been trying to build my endurance but it seems i can only play like 5 minutes and I can't get a sound out. I used to be able to play a long time. I'm wondering ifit is my age and I can't build my lip muscle up anymore.

  • @MP-ll8dc
    @MP-ll8dc 2 месяца назад

    For years I struggled with endurance problems that now seem to have disappeared. Finally I can play a Charlier etude from start to finish. Thanks for the great tips. This is what I needed!

  • @michaellundbohm873
    @michaellundbohm873 2 месяца назад

    Dear Mr Emery, thank you for posting this videos! Yesterday we recorded a mini concert for Swedish television with young students, 8-9 years, and eight Americans of Swedish decent. There of them choose trumpet a in an brief hour we learned three notes and a couple of easy tunes and, inspired by your thoughts we also added dynamics and both guests and kids played great as a section and in the orchestra - a great experience and memory for all participants 🙂 Yours sincerely, Michael Lundbohm, trumpet/Brass teacher, Hultsfred, Sweden.

  • @masteringr6714
    @masteringr6714 2 месяца назад

    I know this is an older video but I’m struggling because I see other videos with guys like Adam rapa that say your lips should be pushing out away from your face and I’ve heard the same thing from others. Been playing for 23 years and have always struggled with range and endurance and just trying to understand the most efficient way to play and am struggling a bit.

  • @mikemillson9572
    @mikemillson9572 2 месяца назад

    Too cool for school Scott Moore!

  • @buster757
    @buster757 3 месяца назад

    I too am picking up the trumpet again after many years. Do you have any recommendations for conditioning the embouchure?

  • @RonDavis2012
    @RonDavis2012 3 месяца назад

    was that Mr. Marselis I saw

  • @RonDavis2012
    @RonDavis2012 3 месяца назад

    thks Scott , I loved your explanation . I was suppose to hear this because it confirmed my thoughts about my embouchure. thks again and God Bless you

  • @RosssRoyce
    @RosssRoyce 3 месяца назад

    Strangely enough, striving to just produce an acceptable sound on the baroque cornetto I had to do EXACTLY what you describe: to produce the sound with the skin (and not lip) close to the upper and lower lips edges. Doing anything else caused my lips swelling only after 15 min of “practicing” (I’m not a professional player). Now suddenly I can reach virtually ALL the high notes professionals reach. However my challenge is to be able to start a phrase with the lowest three notes (A, B and C), my lips feel a little too “sticky” to provide the looseness needed for this low vibration. On the other hand I can reach them easier if coming down from higher notes, not initiating a phrase with them. Maybe because (you talking about causing this resonance just ring it’s sweet spot frequency) these notes are not too resonant on the cornetto and are always very silent, even with professional players. In any case I feel your advises are priceless for those who strive by other means, they help one play without the need to press the edge of the mouthpiece to the lips as well! Cheers PS Pictures from exhibition you played sounds fantastic!

  • @meat.
    @meat. 4 месяца назад

    take a shot every time he says “yknow”

  • @EllisGeiger
    @EllisGeiger 4 месяца назад

    Thank you for sharing

  • @PiotrBarcz
    @PiotrBarcz 4 месяца назад

    I think it's comical how I'm watching this and hoping to actually get a sound out of a beat up old bundy I bought for 150 bucks on eBay when I can't even blow a raspberry (and I'm not joking in that respect, my mouth won't buzz until I, I dunno, sometimes it just does, and sometimes it won't no way no how)

  • @imKeeman
    @imKeeman 4 месяца назад

    Holy shit, solo trumpet quintet is honestly amazing

  • @KerryLorah
    @KerryLorah 4 месяца назад

    Perfection. 😂

  • @fleurafricaine5740
    @fleurafricaine5740 4 месяца назад

    “Set up” is a lazy jargon term.

    • @ScottMooreMSO
      @ScottMooreMSO 4 месяца назад

      Hi, did you watch the video, or did you just come here to be a dick? What would you suggest to replace "setup"? It seems to convey the point effectively.

  • @CanadianDivergent
    @CanadianDivergent 4 месяца назад

    hi Scott. I tried your embouchure suggestion about playing at the thin outer edge of the lips. I immediately was able to play a high C even a high D. I got excited and played for about 15 minutes doing this because I loved the sound. after that time though, my lips stopped being able to vibrate. is this due to it being tired, or is it lip swelling.. IS THIS NORMAL? thanks!!

    • @ScottMooreMSO
      @ScottMooreMSO 4 месяца назад

      I mean, I get tired after playing high C and D for 15 minutes, but you do you! I'm of the mind that we don't build strength in the upper register, but familiarity. The more time you spend playing there, the easier it is. Thanks for watching and GOOD LUCK!

    • @CanadianDivergent
      @CanadianDivergent 4 месяца назад

      @@ScottMooreMSO thanks for telling your story as well. do you roll your lips back over your teeth at all? or is it simply saying MMM and then tensing up the regular muscles to set you embouchure? I love the sound you get. it is open and beautiful. I would really like to emulate your playing and system, since it works. Any chance I could get a online lesson?(more of an interview asking you some questions on your technique) I have read every method system I could find,: Anderson, Claude Gordon, TCE, etc. and want to see if there are parallels. Since you had many embouchure changes. I have also struggled, I am actually a comeback player, but my useable range was never more than a G on the staff. I would say I have played for 4 years in total, but haven't played for 25 years. I quit because I was so frustrated. I didn't know at the time I was over practicing. I find it's a discipline for me to stop when I get tired. Anyway, thank you for reading. best/Doug

    • @ScottMooreMSO
      @ScottMooreMSO 4 месяца назад

      @@CanadianDivergent email me at memphistrumpet@gmail.com and we can discuss an online lesson.

    • @CanadianDivergent
      @CanadianDivergent 4 месяца назад

      @@ScottMooreMSO will do! thanks!

  • @gavriushka
    @gavriushka 5 месяцев назад

    This is such incredible help! I love this video and all the talking points. This has drastically improved my playing in just a few practice sessions. Thank you!

  • @jimbob5848
    @jimbob5848 5 месяцев назад

    Yes, hilarious. Enjoy your whinnies.

  • @garrettgiantonio
    @garrettgiantonio 5 месяцев назад

    I teach all my middle school kids the “M” technique. Seen too many over the years struggling to play anything because they have the entire mouthpiece in the red

  • @Minunmaani
    @Minunmaani 6 месяцев назад

    I love to "play" trumpet, play like a kid with all those sounds that comes out of it. With your advice I may learn to play trumpet.

  • @noahmares3533
    @noahmares3533 6 месяцев назад

    Great interpretation here my Yamaha version ruclips.net/video/PfxWo7S4MY8/видео.htmlsi=axqGNOBjaVuatFfT

  • @drdlalbrecht
    @drdlalbrecht 6 месяцев назад

    By chance, where did you get the arrangement? I've got a similar recital coming up and would love to play this with my accompanist who doesn't read changes.

  • @Musikwoch
    @Musikwoch 6 месяцев назад

    I cannot say how much you just helped me. Been playing for almost 2 years now with dayly practice but had problems to get over g above the staff. I tried your embouchure setup just 10 minutes ago and instantly reached up to an octave higher an can play with ease now! you deserve a teachers medal! Thank you so so so so much! This is the best advice ever!

  • @levirenders
    @levirenders 6 месяцев назад

    Wow, excellent. Your Sound is beautiful!

  • @RW-ob4en
    @RW-ob4en 6 месяцев назад

    Is red of my lip protruding into the cup a likely cause of a double buzz/split octave thing I sometimes am beleaguered by???

  • @richardkelso9478
    @richardkelso9478 6 месяцев назад

    Thanks for this. It works! BTW, Herbert Clarke’s method book says the upper 1/3 of the mouthpiece should be on the upper lip, if I remember correctly.

  • @oldbrassman2157
    @oldbrassman2157 6 месяцев назад

    Glad I found this video. Just got back to the horn after almost 6 decades. Semi-retired so I'm able to practice a bit longer these days, though still not as long as I'd like. And over the past year, I've noticed enough improvement to feel pretty good about most of my practice sessions. Still a long way to go. Will definitely check out your other videos!

  • @dwolff1971
    @dwolff1971 7 месяцев назад

    Thank you Scott for being so open with the knowledge. Much appreciated. This one is making a radical difference to my playing for the better.

  • @AdJOR
    @AdJOR 8 месяцев назад

    Lol

  • @Someone2464-
    @Someone2464- 8 месяцев назад

    Nice rip at the ending.

  • @brasstime
    @brasstime 8 месяцев назад

    Amazing range!!!!!

  • @trucksanddirt1506
    @trucksanddirt1506 8 месяцев назад

    I played trumpet for years as you explained and never was consistent. Could not play high notes and gave up. I recently decided to start over again and work on my embouchure. I know the notes, the feeling the songs, etc... Once I have it working well, I'll be a great trumpet player. I'm 55 years old.

  • @nailsonsimoes56
    @nailsonsimoes56 8 месяцев назад

    Hello Scott ! Good job. Big hug for you

  • @TrombaSolo
    @TrombaSolo 8 месяцев назад

    One of the best I’ve heard. Bravo.

  • @johnflorio3576
    @johnflorio3576 9 месяцев назад

    Excellent points! The genesis of most extreme downstream embouchures begins in elementary school. Trumpet players tend to angle their horns down like clarinets to (1) see the music and (2) reduce pressure on the top lip. Many trumpet players unknowingly grow up using a Farkas French horn embouchure. Most band directors are not trumpet players so young trumpet students are usually off to a bad start. The best advice I ever had was to learn to play upstream even if it felt uncomfortable at first.

    • @ScottMooreMSO
      @ScottMooreMSO 9 месяцев назад

      You said it. It all starts in beginning band.

  • @JamesKeno
    @JamesKeno 9 месяцев назад

    13:51 - 14:02

  • @colind780
    @colind780 9 месяцев назад

    Hi Scott, very interesting, and I can immediately see the higher register coming more easily with the Mmm shape, but a question: I have been trained in the Stamp / Maggio approach of using the lower register as a foundation, do you discourage this approach? I find it very good for sound, but slow to build upwards as you say. 🙏

  • @erikandreasbonde551
    @erikandreasbonde551 9 месяцев назад

    Hi. Nice tone an really good ways that yuo explain things. I had a good embouchure for a few weekend when I used BE. It crashed 😢 Sine I have been searching for a good way for me. Do you have a take on how to tonque better...causeri I cannot do that...I close my jaw. The m-position...that one I can figure out! Take care Erik Denmark

  • @GregoryPearsonMusic
    @GregoryPearsonMusic 10 месяцев назад

    Hello Mr. Moore, do you think a c trumpet like this with I assume a larger bore and lots of resonance could function as an all around horn? Classical, hymns, and even jazz?

  • @carlottafrattini1685
    @carlottafrattini1685 10 месяцев назад

    My favorite song

  • @janvanderscheer1300
    @janvanderscheer1300 10 месяцев назад

    😂❤

  • @robertgreen3702
    @robertgreen3702 10 месяцев назад

    Thank you so much!!! This is very helpful advice.👍👍👍

  • @chayanchaya
    @chayanchaya 10 месяцев назад

    I didn't know that Steven Bannon could play the trumpet so well..!😂

  • @chayanchaya
    @chayanchaya 10 месяцев назад

    I think you have the idea of how to create your attack and make the instrument sound immediately, thank for your videos 👍

  • @yishihara55527
    @yishihara55527 10 месяцев назад

    Sorry but it's all incorrect.